Horizontalism: Voices of Popular Power in Argentina
Marina Sitrin (Editor)
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Human Rights
[This is the MP3CD audiobook format of VOLUME 2 in vinyl case.]
**Time Magazine's Best Nonfiction Book of the 20th Century**
In this masterpiece, Solzhenitsyn has orchestrated thousands of incidents and individual histories into one narrative of unflagging power and momentum. Written in a tone that encompasses Olympian wrath, bitter calm, savage irony, and sheer comedy, it combines history, autobiography, documentary, and political analysis as it examines in its totality the Soviet apparatus of repression from its inception following the October Revolution of 1917.
This second volume in Solzhenitsyn's narrative chronicles the appalling inhumanity of the Soviets' ''destructive-labor camps'' and the fate of prisoners in them--felling timber, building canals and railroads, and mining gold without equipment or adequate food and clothing, and subject always to the caprices of the camp authorities. Most tragic of all is the life of the women prisoners and the luckless children they bear.
Once again, this chronicle of appalling inhumanity is made endurable by the vitality and emotional range of the writing. In one truly remarkable chapter, a parody of an anthropological treatise, Solzhenitsyn achieves new heights of sardonic wit. In the final section the music changes, and he provides a magnificent coda on the possibilities of redemption and purification through suffering.
Shahrnush Parsipur was an important writer and television producer in her native Iran until 1979 when the Islamic Republic began imprisoning its citizens. Kissing the Sword captures the surreal experiences of serving time without being charged with a crime, and witnessing the systematic destruction of any and all opposition to fundamentalist power. It is a memoir filled with both horror and humor: nights blasted by the sounds of machine gun fire as hundreds of prisoners are summarily executed, and days spent debating prison officials on whether the Quran demands that women be covered. Parsipur, one of the great novelists of modern Iran, known for magic realism, tells a story here that is all too real. She mines her own painful memories to create an urgent call for one of the most basic of human rights: freedom of expression.
An electrifying memoir from the acclaimed Nicaraguan writer (“A wonderfully free and original talent”—Harold Pinter) and central figure in the Sandinista Revolution.
Until her early twenties, Gioconda Belli inhabited an upper-class cocoon: sheltered from the poverty in Managua in a world of country clubs and debutante balls; educated abroad; early marriage and motherhood. But in 1970, everything changed. Her growing dissatisfaction with domestic life, and a blossoming awareness of the social inequities in Nicaragua, led her to join the Sandinistas, then a burgeoning but still hidden organization. She would be involved with them over the next twenty years at the highest, and often most dangerous, levels.
Her memoir is both a revelatory insider’s account of the Revolution and a vivid, intensely felt story about coming of age under extraordinary circumstances. Belli writes with both striking lyricism and candor about her personal and political lives: about her family, her children, the men in her life; about her poetry; about the dichotomies between her birth-right and the life she chose for herself; about the failures and triumphs of the Revolution; about her current life, divided between California (with her American husband and their children) and Nicaragua; and about her sustained and sustaining passion for her country and its people.
From the Hardcover edition.